Micha Shagrir spent decades behind the camera, capturing moments that defined modern Israel. Among his extensive body of work, his documentary on the…
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The Shagrir Collection holds an extraordinary visual record of Israeli history, with thousands of color transparencies captured by Micha Shagrir across decades…
The photojournalistic essay occupies an unusual position between journalism and fine art, demanding the immediacy of the former and the patience of the latter.…
Micha Shagrir’s record of the 1970s Russian immigration wave belongs to a larger story about Israel, Soviet Jewry and the politics of arrival. His films,…
A studio can reveal as much about a filmmaker as the finished films themselves. In Micha Shagrir’s case, the working environment sits at the meeting point of…
The Israeli music scene of the 1960s was shaped by migration, military service, youth movements, radio, cinema and the growing confidence of a young state. It…
Micha Shagrir’s People of the Land can be understood as both a photography book and an act of historical attention. Its images bring people, workplaces,…
Israeli visual culture can be studied through films, photographs, clothing, broadcasts, notebooks, negatives and the settings in which people lived. The…
Shagrir’s interviews with Israeli veterans of the 1948 War offer a direct encounter with people who lived through the formation of the State of Israel. Their…
A negative can look like a technical leftover: a strip of film, a few small frames, and a note in fading handwriting. Yet within that narrow band may be a…